Dear Frank,
Thank you for the explanation and the clear demonstration. I just have a few questions:
1. How did you determine from the graph that F3-A3 beats at 6.9 Hz?
2. Why do I slightly diverge by ear in the A2-F3 range? Here, we tend to go 0.2-0.4 cents lower by ear compared to Pianoscope.
I can only explain this by assuming that the ear perceives multiple influences—various partials or possibly false strings—which slightly adjust the final tuning and tonal color.
Regarding A0-E1 (perhaps up to G1) on very small instruments: Before I got sick, I tuned a second S144 grand and a 106 upright. Both had the same issue. The thirds and tenths were fine, but due to extreme inharmonicity, it just didn’t fit, so I relied more on 17ths, 19ths, and triple octaves. Unfortunately, I didn’t create a static tuning.
I understand that this is probably difficult to program, but in this version, you started using AI for better results. Could you take a closer look at this area?
Edit: I think I’ve found another mistake. In the tone generator settings, I don’t see the option to select Spectrum – Measured Partials and Pure Sine.
Thank you.
With respect, Milan